The Dancing
Kiss
A very pleasant way to kiss is found
in the "dancing kiss." Here, again, it is the closeness of the
bodies of the participants that adds to the enjoyment. What
more could a pair of lovers ask for than a dimly lighted dance
floor, the tender, rhythmical strains of a waltz being played
by Wayne King, their arms around each other, their eager young
bodies kissing each other in a myriad of excitable places, the
while, their cheeks meet in glowing, velvety strokes?
Naturally, in such situations, the rules of social etiquette
w ill not allow the pair to enjoy an extremely appropriate "lip
kiss." Although this can very easily be accomplished in the
privacy of one's parlor while the radio is broadcasting the
music. In fact, the "electric kiss" can be ideally performed
under these circumstances. But, when dancing in a public place,
the only kisses allowed would be those surreptitious ones
stolen under the straying eye of the chaperone.
Under the pretense of whispering pretty nothings into your
partner's shell of an ear, allow your lips to touch her
earlobe, her cheek and her chin. A few covert eye-kisses,
perhaps, can be stolen in this manner, too. But, these stolen
sweets should suffice the happy couple until they return home,.
Then, stimulated by the forepleasure of these previous non-lip
kisses, the pair can indulge in all the variations listed in
this booklet, to their hearts' and their lips' content. The
while they recall, perhaps, those lines from Sir John
Suckling's "Ballad of a Wedding," which went:
Oh, they sudden up -and rise and
dance;
Then sit again, and sigh, and glance;
Then dance again, and kiss.
| 