The Techniques of
Kissing
If
she draws her head away, return to her hair and sniff
luxuriously of it. Then settle back to her ear, the while
you murmur "sweet, airy nothings" into it. From the ear to
her neck is but another few inches... Let your lips
traverse this distance quickly and then dart into the nape
and, with your lips well pursed, nip the skin there, using
the same gentleness as would a cat lifting her precious
kittens.
Then, with a series of little nips, bring your lips around
from the nape of her neck to the curving, swerve of her jaw,
close to the ear. Gently kiss the lobe of her ear. But be sure
to return to the tender softness of her jaw. From then on, the
way should be clear to you. Nuzzle your lips along the soft,
downy expanse until you reach the comer of her lips. You will
know when this happens because, suddenly, you will feel a
strange stiffening of 'her shoulders under your arm.
The reason for this is that the lips constitute one of the
main erogenous zones of the body. The nerve ends in it are so
sensitive that the slightest contact with them sends a
pleasurable thrill immediately through the nervous system,
through the medulla portion of the brain, back through the
nervous system again, through branches which connect up with
motor nerves, in this case the nerves that control the
sphincter muscles of the mouth and lips, and the sexual glands
which were mentioned before.
In plain English, the kissee knows she is to be kissed.
Alright. You have subtly kissed the corner of her mouth.
Don't hesitate. Push on further to more pleasurable spots.
Ahead of you lies that which had been promised in your dreams,
the tender, luscious lips of the girl you love. But don't sit
idly by and watch them quivering.
Act!
Lift your lips away slightly, center them so that when you
make contact there will be a perfect union. Notice, only
momentarily, the picture of her teeth in her lips. And, then,
like a sea-gull "swooping gracefully down through the air,"
bring your lips down firmly onto the lips of the girl who is
quivering in; your arms.
Kiss her!
Kiss her as though, at that moment, nothing else exists in
the world. Kiss her as though your entire life is wrapped up
into the period of the kiss. Kiss her as though there is
nothing else that you would rather be doing. Kiss
her!
At this point, it is necessary for us to discuss a few
subjects which are germane to the art of kissing, particularly
in so far as they apply to what has just been described. For
instance, there has been raised quite a full in regard to
whether one should close one's eyes while kissing or while
being kissed. Personally, I disagree with those who advise
closed eyes. To me, there is an additional thrill in seeing,
before my eyes, the drama of bliss and pleasure as it is played
on the face of my beloved.
I can see tiny wrinkles form at the comers of her eyes,
wrinkles of joy. I can see fleeting spasms of happiness flit
across her eyes. I can see these things and, in seeing them, my
pleasurable reactions to the kiss are considerably heightened.
In keeping my eyes open, I am giving pleasure not to one sense
alone, the sense of touch, but to two senses, the senses of
touch and of sight. These two, coupled with the sense of smell
which is actuated by the perfume of her breath, all combine to
make the kiss an exquisite, ineffable epitome of unalloyed
bliss.
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